Finn Ross
While training at Central School of Speech and Drama, Finn developed an interest in projection. He began working with Mesmer on a variety of projects including, Deborah Warner’s Julius Caesar at The Barbican, Trevor Nunn’s Richard II at the Old Vic, was associate projection designer on Complicite’s Measure for Measure world tour and programmed the ROH’s “Gotterdammerung”. Recently Finn designed Lacuna Theatre’s “Silverland”, “An Audience with William Barlow (deceased)” for the London Architecture Biennale, co-design for “Sugar Mummies” at the Royal Court, co-design for “Orlando” at Sadler’s Wells and “Village Fate”, Dublin RDS, “All our Hellos and Good Buys” at the German Gym, Kula Shaka “Strange Folk” tour, Alamut Internationals “A2K” and co-designed Complicite’s “A Disappearing Number”. Current Projects include; “Skun-Kin” Complicite, “Little Otik” National Theatre of Scotland, “Caravaggio” National Centre for Performing Arts, Ottawa. Finn also teaches and lectures at various Drama Schools around London.
- Video Designer
- Little Otik
- Shun-Kin
- Face Of...
- Orlando
- An Audience With...
- Silverland
- Technical production
- ASL
- Video Programmer
- Sugar Mummies
- The Ring Cycle
- Richard II
- Cameras
- Allianz Business To Arts Awards 2008
- Associate Video Designer
- A Disappearing Number
- Measure For Measure
- Julius Caesar
- Video Operator
- His Dark Materials