Mesmer

Finn Ross

Finn trained at Central School of Speech and Drama, London. He works across all forms of live performance with a particular interest in Opera and devised work.

Recent design work: Onegin (ENO), Turn of the Screw (Theatre an der Wein), 10 Plagues (traverse), Top Girls (Chichester & West End), Simon Boccanegra (ENO), Rinaldo (Glyndebourne), Damnation of Faust (ENO), Opera Shots (Royal Opera House), Greenland (National Theatre), Don Giovanni (ENO), Sunset Boulivard (Gothenburg Opera), Das Portrait (Bregenz Opera Festival), A Dog's Heart (Complicite and DNO), The Gods Weep (RSC), Knight Crew (Glyndebourne), Riz MC's MICroscop (Saddlers Wells), Mr Brucek's excursions to the Moon and 15th Century Prague (Opera North), The Beggar's Opera (Vanishing Point & Lyceum Edinburgh), Serious Money (Birmingham Rep), The Girls of Slender Means (Assembly Rooms), Interiors (Vanishing Point, touring), Shun-Kin (Complicite & Setagaya Public Theatre, Tokyo and Barbican, London), Simon McBurney’s All My Sons (Broadway), Three Zero (Touring), A2K (Touring), Little Otik (Vanishing Point & National Theatre of Scotland), Il Tempo del Postino (Manchester International Festival), Orlando (Sadlers Wells), Sugar Mummies (Royal Court), Face of (Dublin RDS), An Audience with William Barlow (Deceased) for the London Architecture Biennale, Silverland (Arcola).

Future work: Master and Margareta (Complicite), Death of Klinghoffer (ENO), Rings of Saturn (Cologne), The Magic Flute (Complicite and Dutch National Opera), Clemenza di Tito (Opera North), Lady from the Sea (Scotish Opera)

Finn is represented by Amanda Evans at Scott Marshall Partners.

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